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There is nothing quite as divisive as a tattoo; permanent, deliberate, and more-often-than-not painful – these skin-deep etchings signal more than a fashion statement.
It was a sunny Sunday and we weren’t sure where to go when we arrived at Sydney Olympic Park in search of the annual Australian Tattoo and Body Art Exhibition. Homebush is huge. Eventually we fell into step behind a lady sporting several facial piercings and a t-shirt that commanded “Shut Up and Skate”. Feeling rather like an anthropologist, travelling through the deep Amazon, I recognised her as part of the tattoo and body art tribe and trusted her sense of direction in this unfamiliar place. I wasn’t disappointed.
Underneath the cavernous roof of the Howie Complex stretched stall after stall dedicated to the practice of tattoo and body modification. Tattoo artists competed against one another, using volunteers as their canvases. Row after row of stalls were plastered with images past tattoos, current designs, the latest tattoo supplies and technology. New techniques were on display next to old techniques, ink colours and mixtures were created and sold. In every stall someone was marking themselves out with their tattoo. It was like another world.
Coming from a small, conservative town, tattoos in my mind have always been a way to stand out. When you look at the bigger picture, though, tattoos have historically been about being within.
Cultures all over the world have used the tattoo to signify the tribe, from Polynesian cultures to Celtic knots and African tribal scarring. My Tribe contributor Mundial has uploaded some strong images of English gang tattoos and contributor Lisa11 has tracked someone’s process of deciding to get a celtic tattoo. But tattoos don’t only mark out cultural tribes and clear affiliations; they can also be used to acknowledge the accidental tribes in which we find ourselves. JB Rowley found this with the heart-warming story of the Flowerdale Tattoo – a story of different people who recognised their momentous shared experience of the Black Saturday fires, and marked their skin with it. Go to this tag link see all works about Tattoos submitted to my tribe.
We are part of many different tribes – family, colleagues, teammates, and fellow citizens to name a few. People also get tattoos for many different reasons – making a fashion statement, commemoration, or personal reasons. But when we find ourselves willing to tattoo our tribal membership right into our skin, it drives home just how important the tribe is to us all.
Selecting the winner of Radio National’s 360documentaries competition for best radio feature in My Tribe was not an easy task.
Judges Claudia Taranto, Gretchen Miller and myself (Kyla Brettle) were looking for the audio work that told a great story, was original and compelling and demonstrated technical excellence. The winner of the competition would be going onto produce a commissioned work with the 360documentaries crew – so it’s a prize with lots of challenges and we needed someone ready to take it on.
Our first step was to actually find the audio-only works in the My Tribe exhibition group. As you can imagine, there were lots of segues and time spent getting lost looking at the many great videos, still images, text works and multi-media pieces – but we finally put together a list of audio on the My Tribe HQ Delicious Tags.
Among the works we thought highly commendable and well worth a listen are the audio documentaries ‘My Gamelan Clan’ by Metallophone and ‘Video Game Nerds Unite’ by Rocknroll_Joel Also, for some very evocative audio montages and musical soundscapes check out Stephen Barrass’ ‘Refugee Realities’ series and ‘Babel; dancing about architecture’ by david porteus.
When it came down to the finalists – love was definitely in the air and online with two beautifully crafted and compelling works. A favourite was Rose’s radiophonic ‘Love in the cloud; the 100 dates online dating project’
which explores a quirky approach to meeting others online. But in the end we decided to hand the winning ticket to Robbie-McEwan for his feature, ‘Me, my boyfriend, his girlfriend and his mum’. As judges we all felt that it was a highly original idea that packed a lot of punch. Robbie’s candour about his private life, his funny and frank script that was delivered naturally, his creative use of music and devices like his audio diary all made for a winning entry.
So that’s a wrap for the radio documentary competition – and if you would like more recommendations My Tribe HQ – (including works in across all media forms) explore the My Tribe Showcase.
The first time I had a strong sense of ‘being an Australian’ was when I went overseas. I was fresh out of my teens and backpacking around India. Maybe my awareness was born from having to recite my passport number so often and the necessity of learning how to talk about cricket. Just as I was beginning to identify with this assumed and unexamined fact of my existence – a chance conversation forced me to consider what this really meant. It started the usual way – introducing myself to the Indian traveler sitting next to me on the bus. After asking me where I was from our conversation progressed to the weather. He commented that it must be very cold in Australia at this time of year. It was December, so I smiled and replied in the negative. The man looked at me strangely, “I don’t understand – if Australia is a hot country, then why are Australians white?”
It’s difficult to examine ideas of belonging without acknowledging its shadowy other; exclusion. Cultural identity is a strong theme in My Tribe and the exhibition is rich with both affirming and challenging stories.
Recently uploaded is a audio documentary called La Voce Della Luna (the voice of the moon). Excavated from the troves of Radio National’s Into the Music archives, this is a warm documentary about the Italian women’s choir. Woven among the earthy music tracks are stories of immigration, feeling dislocated and then found in the deep pocket of the Italian community in Melbourne. It seems that feeling grounded in our own community gives us the strength and confidence to reach out to the people of another.
Move a quarter of a century into the future and check out the video ‘My Asian Tribe’ – a fresh and playful student work celebrating being Asian and the adhesive power of shared cultural experiences like having ‘the same bowl hair cut as a child’.
Culture and genetic heritage calls even when you grow up and live removed from it. Contributor Mercedes takes us on a journey to understand her Italian and Maltese heritage in ‘The all together Australian Tribe’ – while Lorriane shares insights about her Kenyan homeland in her work ‘My Tribe’.
The dark side of cultural identity is eloquently explored by JNT in ‘Gazing at chicken village’. A tourist takes a snapshot in a Vietnamese village and wonders just what she is shooting and why. A particularly thoughtful exploration of the notion of the other is a series of works called ‘Muslim Woman’ by contributor Susan Dirgham The series explores stereotypes and assumptions about Muslim women through audio, image and text. And for a work that tackles racism head-on, check out the multimedia work, ‘Violence against International Students’.
Perhaps the sharpest betrayal is the one that comes from within your own tribe. In ‘My [errant] Tribe’ contributor Jeff Lowenstein, a 67 year old Jewish Australian, explores his split with the Jewish community over the issue of Israeli treatment of Palestinians.
All rich pickings from the hot pot of My Tribe
I’m clutching at raindrops – an idea that appears so perfectly formed is destroyed the moment I grasp it.
I’m currently grappling with the question of what to make for the My Tribe exhibition. 360documentaries has charged me with the task of making a radio piece that explores ideas of community, identity and belonging. As the sun sets on my rather extended period of blue sky thinking I’m feeling an uncomfortable resonance with ‘An ode to the elusive idea’. This is a quirky, highly-crafted and rather confronting animation by Tribe contributor – diam_qut. If you have ever struggled with a problem – it’s well worth a look!
In an attempt to better understand the nature of my problem I read Jeff Conklin’s paper, “Wicked Problems and Social Complexity”. Now, I knew problems could be naughty – but I didn’t realise just how diabolical they could get!
Wicked problems, Conklin explains, are a particular type of problem that not only can’t be solved with a right or wrong answer but are dangerous for those who attempt to; they are a leading cause of ‘analysis paralysis’ and a common trigger for group project melt-down. Some examples of wicked problems are – how to deal with climate change? What to do about child poverty? And what to include in the My Tribe radio piece I’m making?
As knowing your adversary is key – and because wicked problems can be lurking inside seemingly tame problems, I’ll outline a boiled down version of Conklin’s characteristics of a ‘wicked problem’ (these points were first set out by the rather earnestly named fellow Horst Rittel who came up with this rather flamboyantly ‘awesome’ term, ‘wicked problem’)
You don’t understand the problem until you have developed the solution
Wicked problems aren’t clearly defined with stable parameters – the goal posts shift according to which way you look at them and the agenda of the person looking. The problem only becomes clear – or definable – when you couple it with a solution (of which there may be many or none). So, answering the problem is the method through which you understand it. Rittel says, “One cannot understand the problem without knowing about its context; one cannot meaningfully search for information without the orientation of a solution concept; one cannot first understand, then solve.”
Wicked problems never end and don’t have right or wrong answers
Wicked solutions are just as unstable as the floating questions that precedes them – there are no crunchy, satisfying ‘right answers’ – just a judgment call on what is better, worse, good enough or not good enough. Wicked problems don’t end – they just get exhausted; run out of time, money and energy.
Every wicked problem is essentially unique and novel.
From what I understand, the ‘wicked problem’ references the whole ecosystem within which the problem exists (including all the details, nuances and subjective viewpoints). While you can theorize a general approach a wicked problems – every one you come across will be different.
Maybe I’m just clutching at straws – but perhaps the only way I’ll solve the problem of what should be in this My Tribe radio piece is when I actually make something and (when I’m utterly exhausted 360documentaries confirms it is ‘good enough’) say it is ‘finished’.
A lot trickier than I first thought!
“[By] sharing different cultures and different foods you find out you all got a lot more in common than you think you do – because we are all really eating the same thing – just a different form of it. And just getting together and talking about it … you bridged a gap and you didn’t realize it.”
Customer at Tak’s Cafe
Food is a rich source of complex meaning – it speaks of our culture, our country, our climate, our traditions, our practices, our passions and people – little wonder it is emerging as a significant theme in the My Tribe Open Exhibition.
Among my favourite food works is the image and text “Contributor #3: Charlene” (pictured) by contributor ssa6789. The dish, called Yu Shang, brings people together – to the same plate, even – at Chinese New Year. To me it adds another layer to the old saying that ‘the family who eat together stay together’.
For a completely different take on the connection between food identity, community and belonging check out ‘My Faces’. It is a series of three photographic portraits created using food. The images are reminiscent of Giuseppe Arcimboldo’s famous 16th century painting Vertumnus – depicting a face made by arranged fruit and vegetables. In the notes to the work the artist explains how we see stereotypes before the person;
“My interpretation of MyTribe is that people are thrown into ‘groups’ without any consideration of them as a person. … we judge, we categorise and I believe, we misinterpret.”
And if you find yourself in the area, you should try having “Breakfast at Taks” by Tadashi Nakamura – a warm and intimate video documentary about LA café owner Mary, and the community of regulars who frequent her tables.
More than just flour and water – food can be seen the glue that connects us.
Bored? Don’t have a date? Forgot have that relationship to end all others? Think it might be that time?
Don’t wander off into the wilderness alone – use your networks – ask a friend or family member to recommend a good person they know. Encouraging your friends to be match-makers and getting introduced to an acquaintance with good connections may sound like something straight out of a Jane Austen novel – but it is also the core idea behind a very new online dating scheme called the 100 dates project. Let tribe contributor Rose take you through the details in a gorgeous radiophonic documentary called ‘Love in the Cloud’ – highly recommended listening.
I’d be hazarding a guess that the founders of the 100 date project have done some research into social network theory and the importance of ‘weak ties’. If you haven’t heard of social network theory then the chances are that ‘a’ you know someone who has and ‘b’ you have heard of it as of ‘six degrees of separation’.
Basically, it’s a way of mapping and understanding our social connections. A theorist might start by sketching your personal network by indicating you as a dot in the centre of the page and drawing lines from you to other dots representing your close friends and family ties network. These are your ‘strong ties’ – people you trust and tend to rely on in a tight spot. Beyond your strong ties would be another rim of nodes (representing people) that you don’t consider yourself as ‘close’ with – but who you would invite if you were having a big party. Together, these two levels of connection represent your ‘sociogram’.
Where social network theory gets really interesting, though, is if you mapped not just your own, but all your friends social networks (and their friends as well) to indicate all the interrelated links. This map would reveal your ‘weak ties’ (people you know via other people). Ethan Watters describes the image well: “this diagram would look something like a picture of fireworks finale, when all the rockets explode at the same time.” p104 (Urban Tribes 2003). The theory goes that if you included everyone you know, and everyone these people know (for six levels) then every person on the planet would be in your map. Nifty, eh?
Now, ‘weak ties’ are important in all this because they are (not just people but) ‘social resources’ (sources of information, opportunities and potential mates) you can draw on via your social network – even though you may not know them personally. Sociologist Mark Granovetter argues that the number of weak ties in your network is critical to success in getting a job and finding a house to rent. You might use this network to find a good dentist (ie a friend of a friend knows an excellent one) or, as the 100 dates project implies, use your ‘weak ties’ to meet someone new.
Ethan Watters writes about all this much more eloquently than I in Urban Tribes – but if you are after the crunchy version, then do download and read Mark Granovetters 1973 article, “The Strength of Weak Ties”.
Are we all less neighbourly, less engaged in politics, less trusting, less generous, less willing to help out at the local school, union or religious organization?
That’s what Robert Putnam appears to think.
In his essay “Bowling Alone: America’s Declining Social Capital” (1995) and later in the book, Bowling Alone: the collapse and revival of the American Community, (2000), Putnam argues that in the last third of the 20th century the ‘social capital’ of the American community has taken a dive –
“ … social capital refers to social networks, norms of reciprocity, mutual assistance and trustworthiness. The central insight … is that social networks have real value both for the people in the networks – hence, networking as a career strategy, for example – as well as for by standers. Criminologists, for instance, have shown that the crime rate in a neighborhood is lowered when neighbors know one another well, benefiting even residents who are not themselves involved in neighborhood activities.” p2 Better Together (2003)
Putnam distinguishes between a what he terms as ‘bonding’ and ‘bridging’ social capital:
“Some networks link people who are similar in crucial respects and tend to be inward looking – bonding social capital. Others encompass different types of people and tend to be outward-looking – bridging social capital … Bonding social capital is a kind of sociological Super Glue, whereas bridging social capital provides sociological WD-40.” ibid p2
Apparently ‘bridging social capital’ is the most difficult to cultivate and is the most vital to society because it helps outsiders find their place in the new community.
Backing up Putnam’s theory about the erosion of social capital is a litany of statistics more or less evidencing a 25-50 per cent drop in various forms of civic engagement – from numbers of people who vote, join unions, participate in sport and social groups and who go bowling in leagues.
The factors contributing to this rapid decline, argues Putnam, are – the movement of women into the labor force (women previously being big participants in various community groups); the increased mobility and suburbanization of the population (being uprooted not conducive to forming strong social bonds), other demographic transformations like the implosion of the nuclear family (Putman sites these as more divorces, fewer children, lower real wages etc) – and, that ‘drug of the nation’ – television “there is reason to believe that deep-seated technological trends are radically ‘privatizing’ or ‘individualizing’ our use of leisure time and thus disrupting many opportunities for social-capital formation” (1995) p 75
… but does it resonate with your lived experience and what you understand to be your parents and grandparents stories about borrowing a cup of sugar from the neighbour? In the next few weeks I’ll be exploring some of Putnam’s critics and trying to tease some of these ideas out more fully.
But in the meantime, social-capital is strong in My Tribe – despite the seeming zombie invasion.
The great image featured above was submitted to the Open exhibition by Contributor ssa6789 – view the full entry with accompanying poem HERE. I also highly recommend you check out Contributor emma_judd’s video ‘Zombie Love’ – it’s about her housemate’s love of the video game, ‘Left for Dead’ and how this affects their relationship with their girlfriends. The piece is shot on a mobile phone and while a little rough around the edges captures something funny and insightful (and perhaps universal) about the bonds that bridge and bind.
Explore the My Tribe open exhibition and … go in search of the lesbian community in outer suburban Melbourne – get dressed up as a Japanese anime character – clash mallets in a game of bike polo – and remember to treasure what is important – for your tribe is your sanctuary.
My Tribe is humming. This week some great submissions in audio, text and still image and two contributors make a lovely, quite spontaneous, connection between a photograph and a poem.
It’s getting a bit buzzy at My Tribe HQ too – we’re gearing up to our first urban screen showcase. This is a package of My Tribe work for the big screen at Federation Square in Melbourne. The first screening will happen on May 28 at 8pm – so we are urging those interested in developing work for this space to submit it soon. Find event details on our Facebook page.
Work suitable for ‘My Tribe, My Screen’ isn’t limited to video. We are looking to include still image, text and audio and are exploring ways to weave them together. Making content for an outdoor public screen with a transitory audience is different to making work for film/TV – so we’ll be seting up a Pool Forum to share information and discuss the creative challenges and quirks.
Also – what three works should make the next My Tribe Showcase? We need to decide by this Wednesday (May 5, 2010) and want you to help us identify the strongest submissions. Tell us your pick by voting with your thumbs and posting to the My Tribe Facebook page wall.
As all this goes on my bedside table is getting heavy with books and ideas to investigate further. Encouraged by interesting comments on the blog from Sean and Gabrielle – I peered into online communities and somehow found myself at a rather pointy end of the stick – reading Henry Jenkin’s Convergence Culture; where old and new media collide (2007). It was a good read and held quite a few ideas relevant and resonant for My Tribe – particularly theories about how tribes become more than the sum of its parts.
The chapter, Spoiling Survivor; anatomy of a knowledge community – is a detailed analysis of a community which gathers online to figure out who will win the current series of the popular reality TV program, Survivor. The community pools their knowledge and become a powerful source of information that keeps the producers of Survivor on their toes … Jenkins refers to this knowledge as collective intelligence:
No one knows everything, everyone knows something, all knowledge resides in humanity” Collective intelligence refers to this ability of virtual communities to leverage the combined expertise of their members. What we cannot know or do on our own, we may know be able to do collectively. And this organization of audiences into what Levy calls knowledge communities allows them to exert a greater aggregate power in their negotiations with media producers (pp27)
Jenkins explains that when collective intelligence is scrutinised and vetted and finally agreed on – it becomes shared knowledge. A great example of a really successful shared knowledge repository is Wikipedia.
So, who is your knowledge community – what does your brains trust tell you?
Fed Square image by Contributor Tasha Traazil
In one group you’re cast as the leader – in another you play the child. It’s fascinating how the chemistry and dynamics of social groups push us into particular roles – encouraging some aspects of our personalities and discouraging others. (Which I suppose is why author and teen-psychologist Andrew Fuller thinks young people should belong to multiple social groups – so they don’t get stuck in any one ‘character’.)
I’ve been reading up about tribal roles within friend circles in Ethan Watter’s, Urban Tribes (2003). The book argues that strong friendship groups or ‘urban tribes’ are ‘becoming the new family’ – or at least performing many key family functions. Watters describes himself as a ‘reluctant trend spotter’ and first put forward his theory in a two-page article which captured the imagination of Good Morning America. The story got a big response from audiences who started sending Watters stories and descriptions about their own ‘urban tribes’ – which Watters collated and analysed.
He draws together an interesting list of tribal roles – can you recognize yourself or other’s in any of these positions?:
>> the ‘organizer’ – also ‘mother figure,’ ‘party planner,’ or ‘social director,’
>> the ‘advice giver’ or ‘therapist’ – also ‘shoulder to cry on’, “Switzerland”
>> also ‘new project innovators’ who come up with the next crazy scheme … ‘assistants in charge of details’ who support the main organiser … the ‘comedian’ the ‘worrier’ who frets about everything and ‘the life of the party’ …
I particularly liked Watter’s description of the ‘children’ of the group:
“There were often two or three ‘children’ in a group. These were not literal children, but adults who seemed always to be in trouble or in need. “The cynic” appeared to be one variation of “the child.” The cynic had the disgruntled demeanor of a two-year-old, and other group members seemed to enjoy spending large amounts of time trying to improve the cynic’s mood. While you might think that groups would avoid such personalities, these ‘children’ appeared to offer something of a group activity. The “child” would show up on a camping trip having managed to pack only hot chocolate mix. While such habits were exasperating, providing the “child” with food and shelter for the weekend made for a challenging, and ultimately enjoyable, group project. The organizer and the assistants in charge of details would rally and prove their acumen. The challenge was made more meaningful by stories told later about the weekend. Often it was the boneheaded actions of the “children” that became the groups most beloved stories to retell. p47
I’m only half-way through reading Urban Tribes – so still working out what I think of it. But the feeling that our friends are our true family is one that resonates in the My Tribe exhibition. Have a look at Home and Family, a recent work by Contributor Emma Judd. It’s a lovely reflection about belonging and housemates who become “the closest things to a family ‘unit,’ that I have had in the past 10 years.”
Who shares your electronic universe, is on your digital radar and is part of your blogosphere?
If you’re lucky your online tribe will be as rich and as diverse as Contributor GB’s community of bloggers. In My blogosphere is a rainbow flavoured ice-cream GB introduces us to the group who inform, inspire and delight her online. GB’s perceptive and playful bios steer us as a good hostess would through a cocktail party of links to poets, artists and writers. It’s a lovely piece; GB has that knack of sounding like a friend when she writes.
This got me all inspired about exploring electronic tribes – so trotted off to the library … I stumbled across a very different approach to the term and quite an interesting definition of an electronic tribe written by Ronald E.Rice:
Tribes are more organized than bands, but less than chiefdoms or communities. Tribes coalesce around conflicts with outsiders over scarce resources. Civilization weakens tribes, increases resources and promotes individualism. Tribes are associated with war, civilization with peace. The rejection of mainstream civilization may also mean racism, stereotyping, eco-brutalism. Tribes self-identify as unique, with shared affinities, and are often narrow, exclusionary, undemocratic, and antagonistic to open debate. Tribes are homogeneous and autonomous with common speech, culture, and territory. Tribes involved extensive hierarchies of status, poser, gender, age, fears, taboos. Tribalism may involve fragmentation, struggles, competition and hostility.
Alternatively, tribes may encourage individual identity; there may be only a little formal structuring, and that passed primarily on frequency of interaction. Tribe members are empowered within the tribe, through collective responses and through projecting identities into the tribal network. Tribalism may reduce hierarchy and inequality. Tribes have fluid boundaries externally, and heterarchies (webs, networks) instead of hierarchies (strict vertical structures) internally. Tribes are not amenable to centralized control and persuasion. Tribes may not have historical reality beyond becoming a conceptual and political artifact of colonial relations with indigenous political elements.
E-tribes may be similar to or different from online discussion groups, forums, and communities. They may represent, in the modern world, a retribalization and return to affiliation groups; they may be quite similar to “lifestyles” or both represent and foster “fictive kinship” ties. E-tribes may consist primarily of those with strong shared interest, and either few ties or strong ties. But people may move from one online tribe to another, or even become members of multiple e-tribes (nearly impossible in their real-life counterparts). Forward pp.viii
This is the definition of an online tribe that emerges in Electronic Tribes: The Virtual Worlds of Geeks, Gamers, Shamans and Scammers – a collection of academic essays exploring a mix of online neo-tribes ranging from World of Warcraft gamers to Skinhead Cybercrews and tribes that form in the social network, Myspace. The book tackles questions like; the difference between online tribes and online communities; the social impact online tribes on offline relationships and how group norms and behaviours develop.
I particularly enjoyed Thomas Brignall’s essay, ‘Guild Life in the World of Warcraft: Online Gaming Tribalism’. Brignall describes his experiences going undercover as a hard core gamer in World of Warcraft (WOW) for over fourteen weeks – all in the name of researching tribal organization and behaviours. Would like to investigate this one further and might see if I can contact this fellow…
If you are interested in WOW I recommend listening to One Big LAN Party by Tribe Contributor Muhdshamir and Stephanie Powell. It’s a documentary about isolation and community in WOW … listen and you will find yourself at a rather unexpected gathering.